Ben Wager is a 2009 graduate of the Academy of Vocal Arts in Philadelphia, where his roles included: Raimondo in Lucia di Lammermoor, Enrico in Anna Bolena, the title role in Mendelssohn’s Elijah, Sparafucile in Rigoletto, Don Alfonso in Così fan tutte and Padre Guardiano in La forza del destino.
Recently, Mr. Wager sang Haydn's Seasons with Chicago's Grant Park Music Festival and Carlos Kalmar. His engagements in 2012-2013 will include Il Re in Aida with Dallas Opera, the Hotel Manager in Powder Her Face and the Sprecher in Die Zauberflöte with Opera Philadelphia, Count Rodolfo in La sonnambula with Washington Concert Opera, Colline in La bohème with PORTOpera, and the title role in Don Giovanni in a new production with Kentucky Opera. Future seasons see debuts with Lyric Opera of Kansas City and Nashville Opera, and his return to Deutsche Oper Berlin.
Mr. Wager's 2011-2012 season included dual appearances at Minnesota Opera, as General Audebert in the world premiere of Silent Night, and Raimondo in Lucia di Lammermoor. Additionally, he debuted with the New Jersey Symphony Orchestra under Music Director Jacques Lacombe for a series of concerts, joined the Oratorio Society of New York for Dvořák's Stabat Mater, returned to the Oregon Symphony as the bass soloist in Haydn's The Creation under the baton of Carlos Kalmar, and covered the Commendatore in the Los Angeles Philharmonic's performances of Don Giovanni.
During the 2010-2011 season, Ben Wager maintained a presence in both North American and European opera houses. In the United States, he made debuts with Opera Cleveland as Nourabad in Les pêcheurs de perles and the Dallas Opera as Masetto in Don Giovanni, and returned to Minnesota Opera for the role of Hindley Earnshaw in Bernard Herrmann’s Wuthering Heights. As a member of the ensemble of the Deutsche Oper Berlin, which he joined in 2009, he sang Panthus in Les Troyens, Doctor Grenvil in La traviata, Angelotti in Tosca, and Escamillo in Carmen, among other roles.
For the 2009-2010 season, Mr. Wager’s assignments at the Deutsche Oper included Zuniga in Carmen, Angelotti in Tosca, and Sarastro in an abridged version of Die Zauberflöte. Additional engagements for the season included Beethoven’s 9th Symphony with the Mozarteum of Salzburg under Ivor Bolton, Rossini’s Stabat Mater with the Oregon Symphony led by Carlos Kalmar, and his debut with the Los Angeles Opera as Julian Pinelli in Schreker’s Die Gezeichneten.
During the 2008-2009 season, he concluded his residency at the Academy of Vocal Arts as Enrico in Anna Bolena, Il Vescovo in La fiamma, and Raimondo in Lucia di Lammermoor, joined Minnesota Opera to sing the bass roles in the North American premiere of Jonathan Dove's Adventures of Pinocchio, and made his debut at Opera Philadelphia as Collatinus in The Rape of Lucretia.
Mr. Wager spent the summer of 2008 as a member of the prestigious Merola Opera Program at San Francisco Opera, where he sang the role of Il Commendatore in Catherine Malfitano’s production of Don Giovanni.
Other notable engagements include: Masetto in Don Giovanni for his debut at Chicago Opera Theater, under the baton of Jane Glover; Monterone in Rigoletto and Der Sprecher in Die Zauberflöte with Opera New Jersey; and appearances as Kaspar in Der Freischütz, Gremin and Zaretsky in Eugene Onegin, Basilio in Il barbiere di Siviglia, and the bass soloist in Mozart’s Mass in C Minor with the Academy of Vocal Arts.
Ben Wager studies with world-renowned voice teacher Bill Schuman.